Ghulam Ahmad Mahjur, a towering figure in Kashmiri literature, occupies a revered position as a poet who breathed fresh air into the language and ushered in an era of modernism. Born in the village of Mitrigam in Pulwama district, his early education was steeped in traditional learning, including Persian and Arabic, which profoundly influenced his later poetic expressions. He initially adopted the pen name "Sayil," but later transitioned to "Mahjur," meaning "separated" or "lovesick," a name that resonated with the themes of longing and yearning that permeated his work.

Mahjur's contribution lies significantly in his ability to blend traditional poetic forms with contemporary themes. He moved away from the heavily Persianized style that dominated Kashmiri poetry at the time, opting for a simpler, more accessible language that resonated with the common people. He wrote extensively on themes of nature, love, social justice, and patriotism, capturing the essence of Kashmiri life and its aspirations. His poems often reflected the political and social realities of his time, advocating for education, equality, and freedom.

Beyond his lyrical prowess, Mahjur was also a vocal advocate for the Kashmiri language itself. He championed its use in education and public life, recognizing its importance in preserving Kashmiri culture and identity. His efforts helped to revitalize the language and inspire a new generation of writers and poets. His poems like "Gulshan Watan Chu Sonuy" (This Garden is Ours) and "Walo Ho Bago Walo" (Come O Gardener, Come) are timeless classics that continue to evoke a sense of belonging and pride among Kashmiris. Mahjur's legacy extends beyond his literary contributions; he remains an icon of Kashmiri cultural renaissance, his work serving as a bridge between the past and the present, inspiring generations to embrace their language, heritage, and the ideals of a just and equitable society.