Sarala Das, a 15thcentury Odia poet and scholar, stands as a towering figure in the literary landscape of Odisha, India. He is widely regarded as the father of Odia literature, primarily due to his pioneering work in translating and adapting the epic Mahabharata into the Odia language. Born into a humble farming family, his given name was Siddheswar Parida, but he later adopted the name Sarala Das, associating himself with the goddess Sarala, whom he considered his guiding deity and the source of his poetic inspiration.

His Mahabharata, known as the Sarala Mahabharata, is not a mere translation but a creative adaptation that reflects the sociocultural milieu of Odisha during his time. He infused local legends, customs, and philosophical perspectives into the epic narrative, making it relatable and accessible to the common people. This work is a monumental achievement, showcasing his mastery of the Odia language and his profound understanding of the human condition.

Beyond the Mahabharata, Sarala Das also penned other significant works, including the Vilanka Ramayana and the Chandi Purana. The Vilanka Ramayana presents a unique retelling of the Ramayana story, incorporating elements not found in the original Valmiki Ramayana. The Chandi Purana, dedicated to the goddess Durga, is a powerful devotional work that celebrates the divine feminine and her triumph over evil.

Sarala Das's contributions extended beyond literature. He was a social reformer, advocating for equality and challenging societal norms. His writings often reflected his progressive views on caste, gender, and social justice. His works continue to inspire generations of Odia people, and he remains a revered figure in the cultural heritage of Odisha. He left an indelible mark on Odia literature and society, solidifying his place as one of the most important figures in the history of the region.